The Canon RF 24-105mm f/2.8L IS USM Z isn’t just another standard zoom lens—it’s a powerhouse designed for pros and serious enthusiasts who demand versatility without compromise. With a constant f/2.8 aperture, robust L-series build, and image stabilization, this lens is built to tackle everything from low-light portraits to fast-paced action. Whether you’re shooting crisp stills or buttery-smooth video, the USM-driven autofocus keeps things sharp and silent. Is this the ultimate all-in-one zoom for Canon’s RF lineup? Let’s dive into the details and find out.
Key Features
- Focal Length: 24-105mm
- Maximum Aperture: f/2.8 (constant throughout zoom range)
- Lens Mount: Canon RF
- Autofocus System: Dual Nano USM for fast, silent focusing
- Image Stabilization: 5.5 stops (coordinated control IS with compatible bodies)
- Minimum Focus Distance: 0.45m (17.7 inches)
- Weight: Approx. 1330g (2.9 lbs)
- Filter Size: 82mm
Build Quality & Design
Let’s talk about the build of the Canon RF 24-105mm f/2.8L IS USM Z—because, honestly, this lens feels like a tank (in the best way possible). It’s got that signature L-series ruggedness, wrapped in a premium metal and high-grade plastic shell that screams durability. Canon clearly designed this for professionals who need something tough enough to handle real-world shooting conditions.
First off, the weather sealing is top-notch. Whether you’re out in the rain, shooting in dusty environments, or dealing with sudden temperature changes, this lens is ready to go. The rubber gasket around the mount adds that extra bit of confidence when attaching it to your camera.
Despite its solid construction, Canon managed to keep the weight manageable. Sure, at around 1.3kg, it’s not a featherweight, but considering what it packs inside—constant f/2.8 aperture, image stabilization, and a zoom range that covers everything from wide-angle to telephoto—it’s surprisingly well-balanced. When mounted on a full-frame RF body, it feels just right.
The control layout is another win. You’ve got a smooth zoom ring, a precise focus ring, and the customizable control ring for quick adjustments. Plus, the addition of a function button right on the lens barrel makes it even more convenient. Small touches like these show that Canon is really thinking about usability in fast-paced shooting environments.
Optical Performance
The Canon RF 24-105mm f/2.8L IS USM Z is a game-changer for photographers who want versatility without sacrificing optical brilliance. Imagine having a lens that not only covers a wide focal range—24mm for sweeping landscapes to 105mm for tight portraits—but also delivers a constant f/2.8 aperture throughout. That’s right, no matter where you zoom, you’re working with that creamy, dreamy f/2.8 goodness. It’s like having multiple prime lenses in one, but without the hassle of switching them out.
What really sets this lens apart is its ability to handle light like a pro. Whether you’re shooting in a dimly lit café or under the golden hour sun, the f/2.8 aperture ensures your images are sharp, vibrant, and full of detail. And let’s talk about that bokeh—backgrounds melt into buttery smoothness, making your subject pop like it’s leaping off the screen. It’s the kind of optical magic that makes people stop and ask, “What lens are you using?”
But it’s not just about looks. Canon’s Image Stabilization (IS) and Ultra Sonic Motor (USM) work together to keep your shots steady and your focus lightning-fast. Whether you’re capturing a fast-moving subject or shooting handheld in low light, this lens has your back. And for those who love video work, the smooth zoom and quiet operation make it a dream for cinematic footage.
Canon RF 24-105mm f/2.8L IS USM Z Autofocus
The autofocus on the Canon RF 24-105mm f/2.8L IS USM Z is like having a silent, hyper-aware assistant who never misses a beat. Powered by Canon’s Ultra Sonic Motor (USM), this lens locks onto your subject with speed and precision that feels almost telepathic. Whether you’re tracking a sprinting athlete, capturing the fleeting smile of a portrait subject, or snapping a candid moment on the street, the autofocus is so quick and accurate, you’ll wonder if it’s reading your mind.
What’s even more impressive is how smooth and quiet it is. If you’re shooting video, you won’t have to worry about distracting motor noises ruining your audio. The focus transitions are buttery smooth, making it a favorite for videographers who demand professional-grade results. And for photographers, the near-silent operation means you can work in quiet environments—like a wedding ceremony or a wildlife setting—without drawing attention.
But it’s not just about speed and silence. The autofocus system is also incredibly intelligent. It pairs seamlessly with Canon’s Dual Pixel CMOS AF, meaning it can track subjects across the frame with ease, even in tricky lighting conditions. Low light? No problem. Fast-moving action? Bring it on. The lens adapts to your shooting style, whether you’re using single-point AF for precision or zone AF for dynamic scenes.
And let’s not forget the manual focus override. If you need to fine-tune your focus manually, the lens lets you take control without breaking a sweat. It’s this combination of cutting-edge tech and user-friendly design that makes the autofocus on the RF 24-105mm f/2.8L IS USM Z a standout feature. It’s not just a tool—it’s a trusty sidekick that helps you nail every shot, every time.
How It Compares Canon RF 24-105mm f/2.8L IS USM Z
When you stack the Canon RF 24-105mm f/2.8L IS USM Z against other lenses in its class, it’s clear this isn’t just another zoom lens—it’s in a league of its own. Most standard 24-105mm lenses come with a variable aperture, like f/4, which means you lose light as you zoom in. Not this one. The constant f/2.8 aperture is a game-changer, giving you consistent brightness and stunning bokeh no matter where you are in the zoom range. It’s like having a bag full of prime lenses, but without the hassle of swapping them out mid-shoot.
Compared to its RF siblings, like the RF 24-105mm f/4L, this lens is the overachiever in the family. Sure, the f/4 version is lighter and more affordable, but the f/2.8 version is for those who refuse to compromise. It’s the lens you grab when you need top-tier performance in low light, razor-sharp detail, and that professional-grade background blur. And let’s not forget the build quality—this thing is built like a tank, with weather sealing that laughs in the face of dust and rain.
When you look at competitors from other brands, the RF 24-105mm f/2.8L IS USM Z still stands tall. It’s not just the optical performance that wins you over; it’s the seamless integration with Canon’s RF mount cameras. The autofocus is faster, the image stabilization is smarter, and the overall experience feels more refined. Sure, it’s bigger and pricier than some alternatives, but for photographers and videographers who demand the best, it’s worth every penny.
Canon RF 24-105mm f/2.8L IS USM Z image quality
it comes to image quality, the Canon RF 24-105mm f/2.8L IS USM Z doesn’t just deliver—it dazzles. This lens is like a master painter, turning every scene into a masterpiece with its sharpness, clarity, and color rendition. From edge to edge, the details are so crisp, you’ll feel like you can reach out and touch them. Whether you’re shooting wide at 24mm or zoomed in at 105mm, the lens maintains its stellar performance, leaving no room for disappointment.
One of the standout features is that constant f/2.8 aperture. It’s not just a number; it’s a gateway to stunning visuals. In low light, the lens pulls in every bit of available light, producing clean, noise-free images that feel alive. And when you want that dreamy background blur? The f/2.8 aperture works its magic, creating bokeh so smooth and creamy, it’s like butter for your eyes. Portraits pop, and subjects stand out with a three-dimensional quality that makes your photos look almost cinematic.
Color reproduction is another area where this lens shines. The colors are vibrant yet natural, with just the right amount of saturation to make your images pop without looking overprocessed. Skin tones? Perfectly balanced. Landscapes? Rich and lifelike. It’s like the lens has an innate understanding of how to make every hue look its best.
And let’s not forget about distortion and aberrations—or rather, the lack of them. Canon’s advanced optics keep chromatic aberration, vignetting, and distortion in check, so what you see is what you get: pure, unadulterated image quality. Whether you’re a professional or an enthusiast, the RF 24-105mm f/2.8L IS USM Z ensures your photos are always gallery-worthy. It’s not just a lens; it’s a statement that your work deserves the best.
Canon RF 24-105mm f/2.8L IS USM Z Video Quality
The Canon RF 24-105mm f/2.8L IS USM Z is like having a cinema-grade tool in your hands. This lens doesn’t just capture video—it crafts it. The constant f/2.8 aperture is your best friend here, giving you that gorgeous shallow depth of field and buttery bokeh that makes your footage look like it belongs on the big screen. Whether you’re shooting a documentary, a wedding, or a creative short film, the lens ensures your visuals are always rich, dynamic, and full of character.
One of the standout features for videographers is the smooth, silent autofocus. Thanks to Canon’s Ultra Sonic Motor (USM), the focus transitions are seamless and whisper-quiet. No more annoying motor noises ruining your audio—just clean, professional-grade footage. And with Canon’s Dual Pixel CMOS AF, tracking subjects is a breeze. Whether your subject is moving toward you, across the frame, or even in low light, the lens keeps them sharp and in focus without breaking a sweat.
The Image Stabilization (IS) is another game-changer. Handheld shots feel steady, almost like you’re using a gimbal. Walking shots, panning, or even shooting in challenging conditions? The IS has your back, reducing shake and giving your footage that polished, cinematic look. Plus, the zoom range is incredibly versatile—go wide for sweeping establishing shots or zoom in for intimate close-ups, all without losing that f/2.8 magic.
Color reproduction is another win. The lens delivers natural, true-to-life colors that make grading in post-production a joy. Skin tones look flawless, and landscapes pop with vibrant yet realistic hues. And with minimal distortion and aberrations, your footage stays clean and professional from start to finish.
Versatility & Use Cases
If there’s one word to describe the Canon RF 24-105mm f/2.8L IS USM Z, it’s versatile. This lens is basically a Swiss Army knife for photographers and videographers—it does a little bit of everything, and it does it really well.
For event shooters, this lens is a dream. The 24-105mm range lets you go wide for group shots at 24mm and then zoom in for candid moments at 105mm—all without swapping lenses. And because it’s got a constant f/2.8 aperture, you can shoot in dimly lit receptions without stressing about bumping up your ISO too much.
Need some gorgeous, creamy bokeh? That f/2.8 aperture gives you just enough background blur to make portraits pop while keeping your subject sharp. Plus, at 105mm, you get natural compression, which flatters facial features and makes for stunning close-ups.
Videographers will love how this lens covers nearly every essential focal length without needing to switch glass. The Image Stabilization (IS) is a game-changer, helping smooth out handheld shots, and the USM autofocus is both fast and silent, which is perfect for filming. Need to track a moving subject? The autofocus locks on like a champ.
If you’re the type who hates carrying multiple lenses, this is an easy go-to for travel and everyday photography. From landscapes at sunrise to street photography in the evening, it handles it all.
Canon RF 24-105mm f/2.8L IS USM Z Comparison
| Feature | RF 24-105mm f/2.8L IS USM Z | RF 24-105mm f/4L IS USM |
|---|---|---|
| Aperture | f/2.8 | f/4 |
| Image Stabilization | 5.5 stops | 5 stops |
| Weight | 1330g | 700g |
| Price | Higher | More Affordable |
| Best For | Low-light, pro work | General, budget-conscious users |
The f/2.8 version is clearly the better choice for professionals, but if you don’t need the extra light-gathering capability, the f/4 version is a more budget-friendly option.
Pros & Cons
Pros:
First off, that constant f/2.8 aperture is a showstopper. It’s like having a superpower—whether you’re shooting at 24mm or 105mm, you get the same bright, beautiful light and that creamy bokeh that makes your photos and videos look pro-level. The zoom range itself is a dream, covering everything from wide-angle landscapes to tight portraits without missing a beat.
Then there’s the autofocus. It’s fast, accurate, and whisper-quiet, making it perfect for both photographers and videographers. Pair it with Canon’s Dual Pixel CMOS AF, and you’ve got a tracking system that feels almost psychic. Image Stabilization (IS) is another win, giving you rock-solid shots even when you’re handheld or shooting in tricky conditions.
Build quality? Top-notch. It’s weather-sealed, durable, and feels like it could survive a few bumps on the road. And let’s not forget the image quality—sharp, vibrant, and distortion-free, it’s everything you’d expect from an L-series lens.
Cons:
Now, the not-so-great stuff. This lens is a beast—literally. It’s big and heavy, which might be a dealbreaker if you’re looking for something lightweight for travel or long shoots. And with great power comes a great price tag. It’s expensive, so it’s definitely an investment, not an impulse buy.
While the zoom range is versatile, it’s not as long as some might hope for wildlife or sports photography. And although the f/2.8 aperture is amazing, it does make the lens bulkier compared to its f/4 sibling.
Lens Compatibility & Options – Canon RF 24-105mm f/2.8L IS USM Z
The RF 24-105mm f/2.8L IS USM Z is a perfect fit. This lens is designed exclusively for Canon’s RF mount, meaning you’ll get the full benefit of faster communication, improved autofocus, and superior image stabilization. Basically, it’s built to work seamlessly with Canon’s mirrorless lineup—no adapters needed, no compromises.
Which Cameras Work Best?
This lens pairs beautifully with full-frame RF bodies like the EOS R5, R6 Mark II, and R3, where you can take full advantage of its sharp optics and wide aperture. If you’re shooting on an EOS R7 or R10 (APS-C models), it’ll still work, but the crop factor will make it feel more like a 38-168mm lens, shifting its sweet spot more toward telephoto use.
Alternatives & Comparisons
Now, let’s talk options. If you’re wondering how this lens stacks up against other RF zooms, here’s a quick breakdown:
- RF 24-70mm f/2.8L IS USM – A fantastic alternative if you don’t need the extra reach. It’s a bit more compact and lighter but loses out on that 105mm telephoto range.
- RF 24-105mm f/4L IS USM – More budget-friendly and lighter, but you lose the f/2.8 low-light advantage and shallower depth of field.
- RF 28-70mm f/2L USM – The king of low-light performance but heavy, expensive, and missing the flexibility of 105mm reach.
Battery Life and Power Management
The Canon RF 24-105mm f/2.8L IS USM Z doesn’t directly drain your camera’s battery, but it does play a role in how efficiently your setup operates. Let’s talk about what this means for you.
First, the lens itself doesn’t have a built-in battery—it draws power from your camera. This means your camera’s battery life will be impacted by how much work the lens is doing. The good news? Canon’s Ultra Sonic Motor (USM) and Image Stabilization (IS) are designed to be energy-efficient. The autofocus is lightning-fast but doesn’t guzzle power, and the IS system is smart enough to conserve energy when you don’t need it. So, while the lens does use power, it’s not a battery hog.
That said, if you’re shooting all day—especially video or in low light where the IS and autofocus are working overtime—you’ll want to keep an eye on your camera’s battery levels. Carrying a spare battery or two is always a smart move, especially for long shoots or when you’re out in the field without easy access to charging.
For videographers, the lens’s smooth, silent operation is a blessing, but it’s worth noting that continuous use of IS and autofocus during video recording can drain your battery faster than still photography. Planning ahead and having a power bank or AC adapter handy can save the day.
Canon RF 24-105mm f/2.8L IS USM Z Pricing
This retro-styled full-frame camera blends classic aesthetics with modern tech, making it a favorite among photography enthusiasts.
On the other hand, the Canon RF 24-105mm f/2.8L IS USM Z lens is a bit of a unicorn. It’s the world’s first 24-105mm lens with a constant f/2.8 aperture, offering versatility for various shooting scenarios., finding a local price in Bangladesh is tricky, as it’s not widely listed. For context, in the UAE, it’s priced at AED 10,879.20.
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Given currency conversions and regional pricing variations, it’s best to check with local Canon retailers or online platforms for the most accurate and up-to-date pricing.
Customization & User Experience
Canon clearly had photographers and videographers in mind when designing the RF 24-105mm f/2.8L IS USM Z. This lens isn’t just about sharp images and fast autofocus—it’s built for efficiency, letting you tweak settings on the fly and work the way you want.
Let’s start with the control ring—a signature feature on RF lenses. It’s fully customizable, meaning you can set it to adjust ISO, aperture, exposure compensation, or even white balance. If you shoot in fast-paced environments, having this extra dial means less time digging through menus and more time capturing the shot.
Right next to it, you’ll find a function button—a small but game-changing addition. Assign it to AF lock, focus peaking, or any other essential setting, and suddenly, you’ve got a shortcut that speeds up your workflow.
Despite being a pro-level lens, Canon made sure it feels good in hand. The zoom and focus rings are well-damped and easy to operate, even with gloves on. The balance is spot on, especially when paired with cameras like the EOS R5 or R3, making long shooting sessions more comfortable.
For videographers, the electronic focus ring is a huge plus—it’s smooth, precise, and responsive with minimal focus breathing, making it ideal for cinematic focus pulls.
What makes the RF 24-105mm f/2.8L IS USM Z different from other 24-105mm lenses?
The big standout is the constant f/2.8 aperture. Most 24-105mm lenses have a variable aperture (like f/4), but this one keeps that bright f/2.8 throughout the entire zoom range. That means better low-light performance, stunning bokeh, and consistent exposure no matter how far you zoom in or out.
Is this lens good for video
The smooth, silent autofocus and excellent Image Stabilization (IS) make it a dream for videographers. The constant f/2.8 aperture also helps create that cinematic look, and the zoom range is super versatile for everything from wide shots to close-ups.
How’s the autofocus performance
It’s fast, accurate, and quiet—thanks to Canon’s Ultra Sonic Motor (USM). Whether you’re shooting fast-moving subjects or working in low light, the autofocus locks on quickly and stays sharp. It’s also great for video, with smooth transitions and no distracting noise.
Is the lens heavy or bulky?
it’s on the larger and heavier side compared to other 24-105mm lenses, especially because of the f/2.8 aperture. If you’re used to lightweight gear, this might take some getting used to. But for many, the trade-off is worth it for the performance.
Can I use this lens in bad weather?
It’s weather-sealed, so it can handle dust, moisture, and light rain. Just make sure your camera body is also weather-sealed for full protection.
Is the image quality worth the price?
If you’re serious about photography or videography, absolutely. The sharpness, color accuracy, and bokeh are top-tier, and the constant f/2.8 aperture gives you creative flexibility that cheaper lenses can’t match.
What’s the best use case for this lens?
It’s a fantastic all-rounder. Use it for portraits, landscapes, events, travel, or even video work. The zoom range and f/2.8 aperture make it incredibly versatile, so it’s perfect for photographers and videographers who want one lens to do it all.
Conclusion
The Canon RF 24-105mm f/2.8L IS USM Z is a powerhouse of a lens—versatile, sharp, and built for professionals who need top-tier performance without constant lens swapping. With its constant f/2.8 aperture, excellent image stabilization, and pro-level build, it delivers outstanding results for photographers and videographers alike.
